2020 ARTWORKSClick to search by Category

John White Abbott (1763 - 1851)

Downstone Rock from Saugh Mill, Devon, Date Unknown

Pen and grey ink and watercolour with gum arabic, on original washline mount

210 x 167 mm. (8 ¼ x 6 ½ in.)

John White Abbott (Exeter 1763 - 1851)

The Village of Ide, Exeter, 1794

Watercolour over pen and ink

190 x 270 mm. (7 ½ x 10 ½ in.)

Claude-Théodore-Félix CARUELLE D'ALIGNY (Chaume 1798 - Lyon 1871)

Civitella

Oil on paper

29 x 44 cm. (11 ⅞ x 17 ½ in.)

Anonymous Lombard Artist

Portrait of a Young Man, c. 1820

Pastel on paper

55.5 x 45 cm. (22 x 17 ¾ in.)

Frank Auerbach (Berlin b.1931)

Head of JYM III, 1980

Chalk and charcoal on paper

762 x 584 mm. (30 x 23 in.)

Balthus (1908 - 2001)

Flowers and Pomegranate, 1964

Watercolor and pencil on paper

254 x 356 mm. (10 x 14 in.)

Workshop of Baccio Bandinelli (Florence 1493 - Florence 1560)

Study after Michelangelo's David and Male Nude Back Torso, c. 1540

Pen and brown ink on paper

410 x 270 mm. (16.14 x 10.62 in.)

Giovanni Francesco Barbieri better known as Guercino (Cento 1591 - Bologne 1666)

Saint Sebastian, Saint Roch and the Archangel Saint Michael (?), c. 1630/1632

Pen and brown-black oak gall ink, brown wash and traces of red chalk

256 x 161 mm. (10 ⅚4 x 6 1⅓2 in.)

Ann Baring (1758 - 1804)

Hilly landscape with cattle watering and rustics on donkeys, 1789

Watercolour over pencil on laid paper, watermarked with the Strasburg Lily

348 x 479 mm. (13 ⅝ x 18 ⅞ in.)

Ernst Barlach (Wedel 1870 - Rostock 1938)

The Squanderer, c. 1921

Charcoal on packing paper

480 x 366 mm. (18.9 x 14.4 in.)

Jacques Barraband (Aubusson 1767/68 - Lyon 1809)

A Male Blue-Throated Barbet (Megalaima Asiatica), 1806

Watercolour and gouache over an underdrawing in black chalk

520 x 387 mm. (20.4 x 15.2 in.)

Francesco Bartolozzi (1727 - 1815)

Hebe, 1781

Coloured chalks on laid paper

218 x 174 mm. (8 ½ x 6 ¾ in.)

Chris Beekman (The Hague 1887 - Blaricum 1964)

Moonlit Landscape, 1904

Oil on canvas laid down on board

24 x 32 cm. (9 ¾ x 12 ⅝ in.)

Jean-Achille BENOUVILLE (Paris 1815 - 1891)

Papal Troops on Exercise at Rocca di Papa, 1848

Watercolour

17.8 x 36.5 cm. (7 x 14 ⅜ in.)

Pierre-Nolasque Bergeret (Bordeaux 1782 - Paris 1863)

Homer Reciting his Poetry, c. 1805-1807

Black chalk, pen and black ink, brown wash, heightened with white on ochre prepared paper

309 x 347 mm. (12 3/16 x 13 11/16 in.)

Alonso Berruguete (Paredes de Navas, Palencia 1480 - Toledo 1561)

Prophet (recto); The Birth of the Virgin (verso)

Pen and brown ink on paper

27.9 x 23.1 cm. (11 x 9 ⅛ in.)

Umberto Boccioni (Reggio Calabria 1882 - Verona 1916)

Study for the Portrait of Cavalier Tramello, c. 1906-1907

Pen and Brown ink on paper

240 x 320 mm. (9 29/64 x 12 19/32 in.)

Pierre Bonnard (Fontenay aux Roses 1867 - Le Cannet 1947)

Paysage de Vernon, c. 1920

Graphite and watercolour on paper

130 x 180 mm. (5.12 x 7.08 in.)

François Bonvin (Vaugirard 1817 - Saint-Germain-en-Laye 1887)

Le Couvreur Tombé (The Fallen Roofer), 1876

Black and red chalk, squared in red chalk

365 x 175 mm. (14 ⅜ x 6 ⅞ in.)

François Bonvin (Vaugirard 1817- Saint-Germain-en-Laye 1887)

Pen and Inkwell, 1878

Black chalk on buff paper

165 x 125 mm. (6 ½ x 5 in.)

Giuseppe Borsato (Venice 1770 - Venice 1849)

Set Design for Rossini's Opera "Semiramide", Act 1, Scene 13, Teatro La Fenice, Venice, 1823, 1832

Brown ink and wash on off-white paper

152 x 226 mm. (6 x 8 ⅞ in.)

Charlotte Bosanquet (1790 - 1852)

The Drawing Room, Fairford Park, Gloucestershire, c. 1845

Watercolour over traces of pencil

195 x 305 mm. (7¾ x 12⅛ in.)

Sigisbert Chrétien Bosch Reitz (Amsterdam 1860 - 1938)

Morning Glory, c. 1900

Colored chalk on paper

550 x 190 mm. (21 ⅝ by 7 ½ in.)

Johan Briedé (Rotterdam 1885 - Amsterdam 1980)

Vanitas, 1902

Pencil on paper

226 x 220 mm. (8 ⅞ x 8 ⅝ in.)

Gerald Leslie Brockhurst (1890 - 1978)

Anaïs with Hair Down, 1920s

Watercolour and ink on paper

533 x 368 mm. (21 x 14 ½ in.)

Corrado Cagli (Ancona 1910 - Rome 1976)

Laocoön, 1938

Monotype

325 x 250 mm. (12.7 x 9.8 in.)

Calcutta School

Botanical Study (no. 10), c. 1800

Pencil, pen and ink and watercolour with gum arabic, heightened with touches of bodycolour

521 x 343 mm. (20 ½ x 13 ½ in.)

Calcutta School

Botanical Study, c. 1800

Pencil, pen and ink and watercolour with gum arabic, heightened with touches of bodycolour

521 x 343 mm. (20 ½ x 13 ½ in.)

Diulio Cambellotti (Rome 1876 - 1960)

The Prefect of Rome's Punishment, 1948 - 50

Tempera on paper

360 x 996 mm. (14.1 x 39.2 in.)

Duilio Cambellotti (Rome 1876 - 1960)

The Eumenides, 1948

Tempera on paper

703 x 740 mm. (27.6 x 29 in.)

Paul Cézanne (1839 - 1906)

Arbre dépouillé au Jas du Bouffan, 1878-80

Pencil, watercolor, and gouache on paper

355 x 305 mm. (14 x 12 in.)

Paul Cézanne (1839 - 1906)

Tronc d'Arbre et Fleurs, c. 1900

Watercolor and pencil on paper

423 x 320 mm. (16 ⅝ x 12 ½ in.)

Paul Cezanne (1839 - 1906)

La Barque, Le Lac D'Annecy, 1896

Watercolor and pencil on paper

313 x 475 mm. (12 ¼ x 18 ⅝ in.)

Alice Mary Chambers (Harlow, Essex 1854/5 - after 1913)

Portrait of a Woman, c. 1890

Red chalk on wove paper

418 x 350 mm. (16 ⅜ x 13 ¾ in.)

Sir George Clausen, R.A., R.W.S. (1852-1944)

Head of a young girl (Rose Grimsdale), 1890

Coloured chalks on buff paper

34.3 x 23.5 cm. (13.½ x 9.¼ in.)

Luke Clennell AA AOWS (Morpeth 1781 - Newcastle 1840)

A Coastal Scene at Sunset, 19th Century

Watercolour with white heightening

110 x 370 mm. (4 x 14 in.)

Gisbert Combaz (Antwerp 1869 - Saint-Gilles 1941)

Geraniums, 1911

Pen and black ink and watercolour, on buff paper laid down on board

580 x 430 mm. (22 ⅝ x 17 in.)

Gisbert Combaz (Antwerp 1869 - Saint-Gilles 1941)

Lilies, 1912

Pen and black ink and watercolour, on buff paper laid down on board.

575 x 432 mm. (22 ⅝ x 17 in.)

Jacopo Confortini (Florence 1602 - 1672)

Seated Draped Figure: Study for the Madonna of the Rosary, c. 1629

Red chalk

387 x 238 mm. (15 ¼ x 9 ⅜ in.)

John Constable, R.A. (1776-1837)

Fittleworth Mill, Sussex, 1835

Pencil

220 x 285 mm. (8 ¾ by 11 ¼ in.)

Alexander Cooper (1609 - 1660)

A Young Nobleman, Probably Philip Herbert, 5th Earl of Pembroke (1621-1669), c. 1635

Watercolour and bodycolour on vellum mounted on card in gilt-metal frame

Height: 52 mm. (2 in.)

Samuel Cooper (1607/8 - 1672)

Portrait of Henry Alexander, 4th Earl of Stirling (d. 1691), c. 1666

Watercolour on vellum

Height: 68 mm. (2 ⅜ in.)

Michel Corneille the Elder (Orléans 1603 - Paris 1664)

Study for Two Terms, c. 1657

Black chalk heightened with white

425 x 278 mm. (16 ¾ x 11 in.)

Jean Baptiste Camille Corot (1796 - 1875)

Rider Under a Tree, c. 1870 - 72

Oil on paper mounted to canvas

12.5 x 28.5 cm. (4 ⅞ x 11 ⅛ in.)

Miles Edmund Cotman (1810 - 1858)

A mature oak tree near a castle

Pencil

245 x 340 mm. (9 ⅝ x 13 ⅜ in.)

David Cox (Birmingham 1783 - Birmingham 1859)

Hay-on-Wye, Wales, c. 1824

Watercolour over traces of pencil with scratching out and touches of gum arabic

213 x 340 mm. (8 ⅜ x 13 ⅜ in.)

John Robert Cozens (1752 - 1797)

Near Sallanches, Savoy, France, 1778

Watercolour over pencil on laid paper

368 x 537 mm. (14 ½ x 21 in.)

John Robert Cozens (London 1752 - 1797)

Swiss Lake with Mountains, c.1777-8

Watercolour

243 x 342 mm. (9 ½ x 13 7/16 in.)

Belle Cramer (America 1883-1978)

Study for Abstract Fantasy

Pastel on brown paper

22.9 x 30.5 cm. (9 x 12 in.)

Joshua Cristall (1768 - 1847)

A Girl Seated by a River, 1824

Watercolour heightened with bodycolour and stopping out

253 x 202 mm. (10 x 8 in.)

John Crome (Norwich 1768 - 1821)

A Wooded Landscape with a Path Beside a Pool, 1804

Grey wash over traces of pencil

184 x 311 mm. (7 ¼ x 12 ¼ in.)

Thomas Hartley Cromek (London 1809 - Wakefield 1873)

Study of Mullein, Ariccia, 1845

Watercolour, over traces of a pencil underdrawing.

183 x 208 mm. (7 ¼ x 8 ⅛ in.)

Samuel Daniell (1775 - 1811)

A Xhosa Boy, South Africa, 1800

Brown washes and pencil on laid paper

221 x 152 mm. (8 ¾ x 6 in.)

Charles-François Daubigny (Paris 1817 - Paris 1878)

River Landscape (Bord de l´Oise), c. 1870

Black chalk, heightened in white

297 x 480 mm. (11.7 x 18.9 in.)

Edward Dayes (London 1763 - 1804)

A View of Attingham Park, Shropshire, 1798

Pen, pencil, ink and watercolour, with original wash-line mount

130 x 185 mm. (5 ⅛ x 7 ¼ in.)

Henri-Horace Roland de la Porte (Paris 1724(?) - 1793)

Study of Musical Instruments with a Bagpipe and a Flute, c. 1760/70s

Gouache on paper

240 x 165 mm. (9 ½ x 6 ½ in.)

Evelyn De Morgan (1855-1919)

The head of a girl, c. 1915

Pencil

178 x 177 mm. (7 x 7 in.)

Peter De Wint OWS (London 1784 - 1849)

Dacre Castle, Cumbria, 19th Century

Watercolour

196 x 311 mm. (7 ¾ x 12 ¼ in.)

Edgar Degas (Paris 1834 - Paris 1917)

Buste de danseuse, c. 1896

Black chalk

400 x 590 mm. (15 ¾ x 23 ¼ in.)

Eugène DELACROIX (Charenton-Saint-Maurice 1798 - Paris 1863)

Marocain se Reposant, 1832

Pencil and watercolour

16.3 x 13.6 cm 6 ⅜ x 5 ⅛ inches

Gaspare Diziani (Belluno 1689 - Venice 1767)

The Mystic Marriage of Saint Catherine, c. 1742

Pen and brown ink, brown wash over black chalk

362 x 248 mm. (14 ¼ x 9 ¾ in. top corners rounded off)

Gerardo Dottori (Perugia 1884 - Perugia 1977)

Portrait of the Futurist Poet Alberto Presenzini Mattoli, 1914 - 1929

Pastel on paper

62 x 43.5 cm. (24 x 17.12 in.)

John Downman, A.R.A. (1750 - 1824)

Portrait Study of the Turk Who Travelled with Mr West to Italy, 1775

Black and white chalk on blue laid paper

249 x 210 mm. (9 ¾ x 8 ¼ in.)

Étienne Dumonstier (Paris 1540 - 1603)

Portrait of Man Wearing a Collar, 1573

Charcoal, red chalk and crayon on paper

307 x 205 mm. (12 ⅛ x 8 ⅛ in.)

Lady Emily Dundas (d. 1900)

The Ladies of Llangollen at Plas Newydd, Date Unknown

Watercolour over traces of pencil

93 x 94 mm. (3 ⅝ x 3 ¾ in.)

Christoffer Wilhelm Eckersberg (Blaakrog 1783 - Copenhagen 1853)

Study for the Painting 'Female Nude Putting on her Slippers', Carlsberg Glyptotek, Copenhagen, 1843

Pencil on paper

16.5 x 12 cm. (6.5 x 4.7 in.)

Brigid Edwards (b. 1940)

Plane Tree Leaf, 2016

Watercolour, over traces of an underdrawing in pencil, on vellum.

483 x 356 mm. (19 x 14 in.)

Jacopo da Empoli (Florence 1551 - 1640)

A Young Lady Wearing a Veil

Pen and brown ink, brown wash over black chalk

195 x 145 mm. (7 ⅔ x 5 ¾ in.)

William Evans of Bristol (Bristol 1811 - 1858)

An Expansive Landscape, 1837

Watercolour heightened with bodycolour

187 x 356 mm. (7 ⅜ x 13 ¼ in.)

François-Xavier Fabre (Montpellier 1766 - Ivi 1837)

Menelaus Encounters Helen at the Sack of Troy, Late 18th or Early 19th Century

Pen and black ink, wash, white heightening, on faded grey-blue paper

180 x 245 mm. (7 1/16 x 9 ⅝ in.)

Emily Farmer (1826 - Porchester, Hampshire 1905)

Gentle Critics, 1872

Watercolour over traces of pencil heightened with bodycolour and gum arabic

Sight size 507 x 368 mm. (20 x 14 ½ in.)

Anthony Vandyke Copley Fielding (1787 - 1855)

View of Ben Vorlich, Looking up Loch Lomond, West Highlands, 1847

Watercolour over traces of pencil heightened with bodycolour, scratching out, stopping out and gum arabic

184 x 263 mm. (7 ¼ x 10 ¼ in.)

Hanns Ulrich Franck (Kaufbeuren 1603 - Augsburg 1680)

Hercules, Nessus and Deianira, 1603-1680

Black and white chalk on beige paper

Diameter 212 mm. (8 ⅜ in.)

Anonymous French Artist

Two of Six Portraits for a Marriage: Hubert Nicolas Cochet and Marie Catherine Victoire Mercier, 8-11th June 1803., June 1803

Pastels on paper

Different measurements from 398 to 404 x 290 to 295 mm.

Joseph Führich (Kratzau/Bohemia 1800 - Vienna 1876)

Study of a cowering Figure Figure study for the fresco 'Rinaldo and Armida' of the Casino Massimo in Rome, 1827, 1827

Graphite

120 x 167 mm. (4.7 x 6.6 in.)

Achille Funi (Ferrara 1890 - Appiano Gentile 1972)

Self-portrait, 1942

Watercolor on paper

38 x 31 cm. (14.9 x 12.2 in.)

Thomas Gainsborough (1727 - 1788)

A Mountainous Landscape with a Herdsman and his Cattle, Drawn in the mid to late 1770s

Black and white chalks and stump on white wove paper

280 x 368 mm. (11 x 14 ½ in.)

Thomas Gainsborough, RA

Wooded Landscape with Track and Pool, c. 1785

Black chalk with stump over pencil on laid paper

278 x 389 mm. (11 x 15¼ in.)

Daniel Gardner (1750 - 1805)

Portrait of a Lady, c. 1790

Gouache on laid paper

Height: 255 x 205 mm. (9 ¾ x 8 in.)

John Bingley Garland (1791 - 1875)

The Blood Collages, c. 1850-60

Collage of engravings and gold paper with gouache and gold paint with extensive inscriptions in pen and ink on buff backing paper

520 x 390 mm. (20 ½ x 15 ⅜ in.)

John Bingley Garland (1791 - 1875)

The Blood Collages, c. 1850-60

Collage of engravings and gold paper with gouache and gold paint with extensive inscriptions in pen and ink on buff backing paper

520 x 390 mm. (20 ½ x 15 ⅜ in.)

John Bingley Garland (1791 - 1875)

The Blood Collages, c. 1850-60

Collage of engravings and gold paper with gouache and gold paint with extensive inscriptions in pen and ink on buff backing paper

520 x 390 mm. (20 ½ x 15 ⅜ in.)

John Bingley Garland (1791 - 1875)

The Blood Collages, c. 1850-60

Collage of engravings and gold paper with gouache and gold paint with extensive inscriptions in pen and ink on buff backing paper

520 x 390 mm. (20 ½ x 15 ⅜ in.)

Andrea Gastaldi (Turin 1826 - 1889)

Study for "Emperor Frederick I Barbarossa Escaping from the Battlefield in Legnano", 1858

Charcoal, with white highlights, on light brown paper

1630 x 1270 mm. (64.1 x 50 in.)

Vincenzo Gemito (Naples 1852-1929)

Self-Portrait Aged 65, 1917

Pencil and chalk on paper

470 x 370 mm. (18 ½ x 14 ½ in.)

Vincenzo Gemito (Naples 1852 - 1929)

Portrait of a Young Man of the Bertolini Family, 1914

Pencil and charcoal on paper

360 x 250 mm. (14 11/ 64 x 9 27/32 in.)

Jean Louis-Théodore Géricault (Rouen 1791 - Pairs 1824)

Preparatory Study for Grey White Horse - Grey Arabian Horse, 1812/1814

Oil on paper laid down on cardboard

150 x 180 mm. (5 29/32 x 7 3/32 in.)

Théodore Gericault (Rouen 1791 - Paris 1824)

Study of a Lion at Rest, 1920 - 1921

Pen and brown ink and grey wash, with touches of red wash and pencil.

99 x 117 mm. (3 ⅞ x 4 ⅝ in.)

German School (c.1800)

A Caterpillar (Attacus Cecropia), c.1800

Watercolour, over pen and ink, on paper

101 x 177 mm. (4 x 7 in.)

Jean-Léon Gérôme (Vesoul, France 1824 - Paris 1904)

The three principal figures of the painting 'Réception du Grand Condé à Versailles' (now at the Musée d'Orsay, Paris), c. 1880

Pencil

305 x 205 mm. (12 x 8 in.)

Jean-Léon Gérôme (Vesoul, France 1824 - Paris 1904)

The three principal figures of the painting 'Réception du Grand Condé à Versailles' (now at the Musée d'Orsay, Paris), c. 1880

Pencil

305 x 205 mm. (12 x 8 in.)

Jean-Léon Gérôme (Vesoul, France 1824 - Paris 1904)

The three principal figures of the painting 'Réception du Grand Condé à Versailles' (now at the Musée d'Orsay, Paris), c. 1880

Pencil

305 x 205 mm. (12 x 8 in.)

Felice Giani (San Sebastiano Curone (Alexandria) 1758 - Rome 1823)

Self-portrait at the easel, c. 1790

Pen and brown ink on white paper

235 x 183 mm. ( 9 ¼ x 7 13/64 in.)

Paul-René-Léon Ginain (Paris 1825 - 1898)

View of Trinita dei Monti from the Académie de France at the Villa Medici, Rome, c. 1853-7

Watercolour over traces of black chalk

310 x 1000 mm. (12 ¼ x 39 ⅓ in.)

Thomas Girtin (London 1775 - 1802)

Classical Landscape, 1799 - 1800

Watercolour

310 x 500 mm. (12 ¼ x 19 ¾ in.)

François-Marious Granet (Aix-en-Provence 1775- Aix-en-Provence 1849)

Communion, 1836

Pen and brown ink with brown wash

250 x 380 mm. (10 x 15 in.)

Domenikos Theotokopoulos, called El Greco, attr. to (Iraklio/Greece 1541 - Toledo 1614)

Adoration of the Shepards Separate Study of the Infant Christ (top left), 1565, Verso: Nude Woman Advancing to the Right and another Figure Study, 1565

Pen and ink in brown

12.2 x 17.7 cm. (4.8 x 7 in.)

Giovanni Battista Barbieri, called Il Guercino (Cento 1591 - Bologna 1666)

A Man seen in Profile, reading a Book, c. 1640-1650

Pen and brown ink

195 x 136 mm. (7 ⅝ x 5 ⅜ in.)

Giovanni Francesco Barbieri, called Il Guercino (Cento 1591 - Bologna 1666)

Holy Family, Mid-1630s

Pen and brown ink

200 x 300 mm. (7 ⅞ x 11 13/16 in.)

Jacob Philipp Hackert (Prenzlau 1737 - Florence 1807)

The Small Marina at Sorrento

Black chalk and ink on cream paper

55 x 90 cm. (21 ⅝ x 35 ⅜ in.)

Hugh Douglas Hamilton (1740 - 1808)

Portrait of a Gentleman, c. 1790

Pastel over pencil on laid paper

230 x 180 mm. (9 x 7 in.)

Henri Harpignies (Valenciennes 1819 - St. Privé (Yonne) 1916)

Souvenir du Saut-du-Loup, Allier, 1883

Watercolour

372 x 550 mm. (14 ⅝ x 21 ⅝ in.)

Bernhard Hasler (Schenkendorf/Glatz 1884 - Bad Oldesloe 1945)

Portrait of the artist, 1908

Oil on cardboard

15.8 x 12 cm. (6 ¼ x 4 ¾ in.)

Willem Hekking the Elder (Amsterdam 1796 - 1862)

An Orange, c. 1820s-1850s

Watercolour

235 x 178 mm. (9 ¼ x 7 in.)

Willem Hekking the Elder (Amsterdam 1796 - 1862)

Three Plums on a Branch, c. 1820s-1850s

Watercolour

172 x 227 mm. (6 ¾ x 9 in.)

Paul César Helleu (Vannes 1859 - Paris 1927)

Mademoiselle de Conquis, étude des têtes, c. 1890

Coloured chalkson paper

340 x 480 mm. (13.38 x 18.89 in.)

Herman Henstenburgh (Hoorn 1667 - 1726)

A Sun Conure Parrot and a Yellow-Backed Oriole, c.1685 - 1720

Gouache and watercolour on vellum

301 x 204 mm. (11 ⅞ x 8 in.)

Sir Hugert von Herkomer (1849 - 1914)

Head of a Bearded Man

Pencil and black ink, heightened with white and grey gouache on paper

273 x 219 mm. (10 ¾ x 8 ⅝ in.)

Patrick Heron (Headingley, Leeds 1920 - Zennor, Cornwall 1999)

Yellows and Browns Interlocking with Soft Cadmium (Blue Flash), 1968

Gouache on paper

58.4 x 77.5 cm. (23 x 30 ½ in.)

Nicholas Hilliard (c. 1547 - 1619)

A Gentleman, c. 1590

Watercolour on vellum stuck to pasteboard set in silver-gilt frame

Height: 60 mm. (2 ⅜ in.)

Adolf Hirémy Hirschl (Temesvár 1860 - Rome 1933)

Isa Ruston, the Artist's Wife, Their Daughter Maud and a Friend, Resting on a River Bank, Near Montepiano, Tuscany, Executed around 1900

Gouache

378 x 542 mm. (14 ⅞ x 21 5/16 in.)

Melchior d'Hondecoeter (Utrecht 1636 - Amsterdam 1695)

Study of a Peacock, c. 1660s

Pen and black ink and grey wash, with framing lines in black ink. Laid down on an old mount, inscribed Melchior, / HONDEKOTER in black ink within a cartouche.

205 x 315 mm. (8 ⅛ x 12 ⅜ in.)

Franz Horny (Hof 1798 - Olevano 1824)

View of Genazzano, 1822

Pen and gray ink over pencil on wove paper, watermark Tremonti 'encircled dove and three hills'

182 x 124 mm. (7.2 x 4.9 in.)

Victor Hugo (Besançon 1802 - Paris 1885)

Pyramides, 1861 - 1862

Pen, brush, brown ink and brown wash

23 x 37.5 cm. (9.06 x 14.8 in.)

William Henry Hunt (1790 - 1864)

Girl Reading a Letter by Lamplight, 1827

Watercolour over pencil heightened with bodycolour and scratching out

382 x 272 mm. (15 x 10 ¾ in.)

William Henry Hunt (London 1790 - London 1864)

Primroses, c. 1840-1850

Watercolour with bodycolour on artist's board

16 x 20.3 mm. (6 ¼ x 8 in.)

Felix Kelly (Auckland 1914 - Devon 1994)

Phryne in the Garden

Gouache on paper

292 x 800 mm. (11 ½ x 9 ⅛ in.)

Eric Kennington (1888 - 1960)

Portrait of Alice May Rothenstein, c. 1920

Pastel on blue-grey paper

486 x 349 mm. (19 ⅛ x 13 ¾ in.)

Ernst Ludwig Kirchner (Aschaffenburg 1880 - Frauenkirch 1938)

Man Standing at a Table, c. 1915

Pencil on yellow paper

138 x 113 mm. (5.4 x 4.4 in.)

Wilhelm von Kobell (Mannheim 1766 - Mannheim 1855)

Landscape with Cattle, Schloss Emming/Ammersee Seen in the Distance, 1826

Watercolour

220 x 272 mm. (8.7 x 10.7 in.)

Helmut Kolle, named Helmut vom Hügel (Charlottenburg 1899 - Chantilly 1931 )

Self-portrait, 1919

Pen and ink in brown

143 x 112 mm. (5.62 x 4.4 in.)

Hans Süss von Kulmbach (Kulmbach 1476 - Nürnberg 1528)

The Mass of the Angels, c. 1512

Pen in brown ink

28.8 x 21.7 cm. (11.3 x 8.5 in.)

Charles-François de la Traverse (Paris c. 1726-1787)

The Fountain of the Four Rivers, Piazza Navona, Rome, 1750s

Pen and black ink, brown wash heightened with white

780 x 570 mm. (30 x 22 ½ in.)

Eugène-Louis Lami (Paris 1800 - 1890)

The Horse L'Eclatant in a Stable, 1839

Watercolour, over an underdrawing in black chalk.

380 x 456 mm. (15 x 18 in.)

Maurice Langaskens (Ghent 1884 - Schaerbeek 1946)

Le Vainqueur (The Winner), 1910

Oil and gold leaf on canvas laid down on board

90 x 70 cm. (35 ⅜ x 27 ½ in.)

Sir Thomas Lawrence (1769 - 1830)

Isabella Fairlie, c. 1825

Black, red chalk and white chalk on prepared canvas

660 x 530 mm. (26 x 21 in.)

Jacques le Moyne de Morgues (Dieppe c.1533 - London 1588)

Clove Pinks, c. 1565

Watercolour and gouache on paper, with framing lines in brown ink and watercolour

139 x 100 mm. (5 ½ x 4 in.) [image], 195 x 145 mm. (7 ⅝ x 5 ¾ in.) [sheet]

Jacques le Moyne de Morgues (Dieppe c. 1533 - London 1588)

A Globe Artichoke, c. 1565

Watercolour and gouache on paper, with framing lines in brown ink and watercolour.

140 x 101 mm. (5 ½ x 4 in.) [image] / 195 x 147 mm. (7 ⅝ x 5 ¾ in.) [sheet]

Frederic, Lord Leighton, P.R.A. (Scarborough, Yorkshire 1830 - Kensington, London 1896)

Two studies of a male head, one for 'Golden Hours' and one for 'Orpheus and Eurydice', 1864

Black chalk heightened with white chalk on grey paper

290 x 200 mm. (11 ½ x 8 in.)

Cavaliere Ottavio Maria Leoni (Rome 1587 - 1630)

Portrait of Anna Maria Cesi, Princess Peretti (1586-1647), c. 1610

Black chalk heightened with white

135 x 90 mm. (5 ⅓ x 3 ½ in.)

Jean-Étienne Liotard (1702 - 1789)

William Ponsonby, 2nd Earl of Bessborough, 1754

Pastel on vellum

620 x 495 mm. (24 ⅜ x 19 ½ in.)

Aurelio Lomi (Pisa 1556 - 1622)

Study of a Young Man Holding a Large Dish, c. 1585

Black chalk on paper washed light blue-grey

396 x 237 mm. (15 19/32 x 9 2⅙4 in.)

Friedrich Loos (Graz, Austria 1797 - Kiel 1890)

Craggy Outcrop in a Forest, c. 1830

Oil on paper, laid down on cardboard

28.5 x 41.5 cm. (11.2 x 16.3 in.)

Jacobus van Looy (Haarlem 1855 - Haarlem 1930)

A Water Carrier in Tangier, 1886

Pastel on paper

320 x 250 mm. (12 ⅝ x 9 ⅞ in.)

Jacobus van Looy (Haarlem 1855 - 1930)

A Mower with a Scythe, 1898

Pastel on paper in original artist's frame

395 x 320 mm. (15 ½ x 12 ⅝ in.)

Arianna Fioratti Loreto (B. 1967)

Kraken, 2018

Pen and black ink

1505 x 975 mm. (59 ¼ x 38 ⅜ in.)

August Lucas (Darmstadt 1803 - Darmstadt 1863)

Young Italian Woman, c. 1829

Pen in brown ink over pencil

200 x 130 mm. (7.9 x 5.1 in.)

Benedetto Luti (Florence 1666 - Rome 1724)

Study for a head Magdalene, c. 1690's

Black chalk, heightened with white on paper washed light blue-grey

292 x 214 mm. (11 ½ x 8 7/16 in.)

André Maire (Paris 1898 - Paris 1984)

Head of Buddha, a Baphuon Style female Torso and Two Figures, Angkor, 1953

Charcoal, red chalk

655 x 504 mm. (25 13/16 x 19 13/16 in.)

André Maire (Paris 1898 - 1984)

Ganesha and Vishnu, Angkor, 1953

Charcoal

655 x 502 mm. (25 13/16 x 19 ¾ in.)

André Maire (Paris 1898 - 1984)

Three Buddhas, 1954

Charcoal

654 x 507 mm. (25 ¾ x 19 15/16 in.)

André Maire (Paris 1898 - 1984)

Buddha, Angkor, 1955

Charcoal

654 x 505 mm. (25 ¾ x 19 ⅞ in.)

André Maire (Paris 1898-1984)

A Malgache Seated, with Turtles, 1959

Charcoal, pastel

454 x 583 mm. (17 ⅞ x 22 15/16 in.)

André Maire (Paris 1898 - 1984)

A Malgache Reclining with a Child Holding a Fruit, 1959

Charcoal, pastel

504 x 650 mm. (19 13/16 x 25 9/16 in.)

André Maire (Paris 1898 - 1984)

A Malgache Seated on the Floor, Looking Up, 1959

Charcoal, pastel

450 x 584 mm. (17 11/16 x 23 in.)

André Maire (Paris 1898 - 1984)

A Malgache Seen from Behind, with Shells, 1959

Charcoal, pastel

580 x 450 mm. (22 13/16 x 17 11/16 in.)

William Marlow (1740 - 1813)

Fishermen in an Inlet, Bay of Naples, c. 1765

Watercolour

230 x 347 mm. (9 x 13 ⅝ in.)

Alberto Martini (Oderzo 1876 - Milan 1954)

Vanitas with Self-Portrait, c. 1920

Pastel on paper

54 x 46 cm. (21 ¼ x 18 in.)

Ludwig Meidner 
 (Bierutów, formerly Bernstadt 1884 - Darmstadt 1966)

Self-Portrait at Work, 1921

Grease crayon on paper

637 x 475 mm. (25.1 x 18.7 in.)

Xavier Mellery (Laeken 1845 - Brussels 1921)

Interior in Marken Island, c. 1878

Watercolor, pastel, pen, ink and washes on board

530 x 476 mm. (29 ⅞ x 18 ¾ in.)

Xavier Mellery (Laeken 1845 - Brussels 1921)

Marken Triptych, c. 1882-1884

Crayon and ink on paper

260 x 335 mm.; 260 x 325 mm.; 253 x 345 mm. (10.2 x 13.1 in; 10.2 x 12.7 in; 10 x 13.6 in.)

Xavier Mellery (Laeken 1845 - Brussels 1921)

Interieur Flamand (Le Tisserand) Flemish Interior (The Weaver), 1884

Crayon, ink and watercolor on paper

455 x 425 mm. (17 ⅞ x 16 ⅝ in.)

Xavier Mellery (Laeken 1845 - Brussels 1921)

The Church, c. 1889

Charcoal and red chalk on paper

275 x 230 mm. (10 ⅝ x 9 in.)

Xavier Mellery (Laeken 1845 - Brussels 1921)

Méditation, c. 1894

Pen and black ink, black chalk and wash on board

785 x 550 mm. (30 ⅞ x 21 ⅝ in.)

Xavier Mellery (Laeken 1845 - Brussels 1921)

Le Pouvoir Communal. Project de Décoration pour l'Hôtel-de-Ville de Bruxelles, c. 1895

Watercolor, ink and pencil with gold paint

238 x 137 mm. (9 ⅜ by 5 ⅜ in.)

Adolph von Menzel (1815-1905)

Study for "Im Peterskeller zu Salzburg", 1888

Graphite with stumping and watercolor on paper

215 x 142 mm. (8 ⅜ by 5 ½ in.)

Adolph Von Menzel (Breslau 1815 - Berlin 1905)

A Lady Wearing an Elaborate Hat, 1892

Pencil

182 x 115 mm. (7 3/16 x 4 ½ in.)

Adolph von Menzel (Breslau 1815 - Berlin 1905)

Study of an Italian Boy, c. 1884

Black chalk

132 x 205 mm. (5.2 x 8.1 in.)

Francesco Paolo Michetti (Tocco da Casauria 1851 - Francavilla al Mare 1929 )

"Aligi", study from the "Daughter of Jorio", c. 1888-1895

Pastel and mixed media on paper

700 x 500 mm. (27 ½ x 19 ½ in.)

Francesco Paolo Michetti (Tocco di Casauria 1851- Francavilla al Mare 1929)

Rocks by the sea, 2 august 1903

Charcoal and coloured pastels on grey-blue paper

300 x 410 mm. ( 11" 13/16 x 16" 9/64 in.)

John Middleton (1827 - 1856)

A Pile of Logs by a Barn in a Clearing, c. 1850

Watercolour over pencil

436 x 657 mm. (17 x 25 ¾ in.)

Milanese School, c. 1810

Milan: The Church of Santa Maria presso San Celso, c.1810

Pen and black ink, watercolour and gouache, over traces of graphite, within two sets of black ink framing lines

17.5 x 23.5 cm. (6 ⅞ x 9 ¼ in.)

Jean Francois Millet (1814 - 1875)

Le Depart pour Les Champs, 1863

Conté on paper

440 x 300 mm. (17 ¼ x 11 ¾ in.)

Pier Francesco Mola (Coldrerio 1612 - Rome 1666)

Joseph Greeting his Brothers, 1656-57

Pen and brown ink, red wash, over red chalk

187 x 192 mm. (7 ⅜ x 7 9/16 in.)

Henry Moore (Castleford, West Yorkshire 1898 - Perry Green, Hertfordshire 1986)

Three Female Figures, 1949

Pencil, crayon, ink & gouache on paper

290 x 235 mm. (11 ½ x 9 ¼ in.)

Gustave Moreau (Paris 1826 - Paris 1898)

Hélène Glorifiée, 1896

Watercolor, gouache and shell gold on paper

305 by 232 mm. (12 x 9 ⅛ in.)

William James Muller (Bristol 1812 - 1845)

Gypsy Encampment near Gillingham, c. 1838

Black chalk and watercolour

203 x 254 mm. (8 x 10 in.)

Ernst Wilhelm Nay (Berlin 1902 - Cologne 1968)

Scheibenbild - Disc Painting, 1955

Watercolor on paper

173 x 251 mm. (6.7 x 9.8 in.)

Ernst Nepo (Dauba 1895 - Innsbruck 1971)

Portrait of Irma von Guggenberg, 1925

Charcoal

351 x 272 mm. (13 13/16 x 10 11/16 in.)

Christopher Nevinson (London 1889 - 1946)

Returning to the Trenches, 1916

Drypoint on off-white laid paper. Edition of 75

15.1 x 20.4 cm. (6 x 8 in.)

Francis Nicholson (Pickering 1753 - London 1844)

Windermere with the village of Bowness and the Langdale Pikes, c. 1792-1793

Watercolour over pencil, in the original English Carlo section frame

300 x 416 mm. (11 ¾ x 16 ⅜ in.)

Francis Nicholson (Pickering 1753 - London 1844)

Ullswater, c. 1792-1793

Watercolour over pencil, in the original English Carlo section frame

300 x 416 mm. (11 ¾ x 16 ⅜ in.)

Arturo Noci (Rome 1874 - New York 1953)

Girl in Profile, 1916

Pastel on paper

500 x 450 mm. (19 ⅔ x 17 ⅔ in.)

David Cox O.W.S (Birmingham 1783 - 1859)

The Promenade at Aberystwyth, Cardiganshire, 19th Century

Watercolour over pencil, heightened with bodycolour

187 x 265 mm. (7 ⅜ x 10 ⅜ in.)

Isaac Oliver (c. 1565 - 1617)

Portrait of Thomas Fones (d. 1638), c. 1605

Watercolour on vellum stuck onto pasteboard

Height: 51 mm. (2 in.)

Jean-Baptiste Oudry (Paris 1686 - Beauvais 1755)

A Fox Standing Guard Over a Dead Pheasant, 1749

Pen and ink and wash heightened with gouache on blue paper

270 x 460 mm. (10 ⅔ x 18 in.)

Friedrich Overbeck (Lübeck 1789 - Rome 1869)

Study of a Recumbant Figure Preparatory figure study for the fresco 'The Death of Odoardo and Gildippe' in the Casino Massimo, Rome, 1826, 1826

Graphite

172 x 237 mm. (6.8 x 9.3 in.)

William Turner of Oxford (1789-1862)

Otmoor near Oxford, c. 1830

Watercolour over touches of pencil heightened with bodycolour and scratching out

209 x 375 mm. (8.23 x 14.76 in.)

Jacopo Palma, called Palma Il Giovane (Venice 1548 - 1628)

The Circumcision, 1548-1628

Pen and brown ink, brown wash, heightened with white on blue paper, within brown ink framing lines; red chalk (verso)

214 x 174 mm. (8 7/16 x 6 ⅞ in.)

Pablo Picasso (Málaga 1881 - Mougins 1973)

Design for a Poster: Verve 29-30, 1954

Cut-out, collage, coloured chalks, black brush

606 x 395 mm. (23.9 x 15.6 in.)

Cesare Franchi, aka Pollino (Perugia 1560 - Perugia 1598)

Crowning of the Virgin surrounded With a Female Saint, Angels playing music and Children dancing, c. 1590

Pen, Pencil and Gouache on a Gilted Background

139 x 96 mm. (5.47 x 3.78 in.)

Charles West Cope, R.A. (1811 - 1890)

Portrait Study of the Artist's Son Harry Cope Aged Six, 1861

Black and red chalk on grey-blue laid paper

Approx. 223 x 145 mm. (8 ¾ x 5 ¾ in.)

William Callow, R.W.S. (1812 - 1908)

Looking up the Grand Canal, Venice, 1866

Watercolour over pencil heightened with bodycolour

294 x 765 mm. (11 ½ x 30 in.)

Pierre-Joseph Redouté (Saint-Hubert 1759 - Paris 1840)

Turmeric (Curcuma longa), c. 1800 - 1816

Watercolour and pencil, with touches of gum arabic, on vellum.

473 x 342 mm. (18 ⅝ x 13 ½ in.)

Hubert Robert (Paris 1733 - Paris 1808)

Study of a seated young Man, c. 1760

Red chalk

15.7 x 10 cm. (6.2 x 3.9 in.)

Hubert Robert (1733 - 1808)

Two Figures Before the Temple of the Sybil, c. 1775

Red chalk on paper

290 x 368 mm. (11 ½ x 14 ½ in.)

David Roberts, R.A. (1796 - 1864)

View of Tetouan from the Terrace of Cohen's House, Morocco, 1833

Watercolour over pencil heightened with bodycolour on two sheets of joined grey paper

230 x 679 mm. (9 x 26 ¾ in.)

David Roberts, R.A. (1796-1864)

The Lower Pool of Siloam, Valley of Jehoshaphat, 1839

Watercolour over pencil heightened with touches of white

239 x 311 mm. (9 ⅜ x 12 ¼ in.)

James Roberts (c. 1800 - 1867)

Le Cabinet de la Reine Marie-Amélie aux Tuileries, 1849

Watercolour and bodycolour

225 x 260 mm. (8 ⅞ x 14 ⅛ in.)

Thomas Robins the Younger (1745 - 1806)

Salvis and Coffea Arabica with Swallowtails, 1787

Pen, watercolour and bodycolour on paper

350 x 231 mm. (13 ¾ x 9 ⅛ in.)

Auguste Rodin (1840 - 1917)

Femme Debout à la Draperie, c. 1896(?)

Pen and brown ink with white gouache on paper

175 x 108 mm. (6 ⅞ x 4 ¼ in.)

George Romney (1734 - 1802)

Study for `The Birth of Man', c. 1793

Pencil

140 x 193 mm. (5 ½ x 7 ½ in.)

Michael Angelo Rooker (London 1743 - 1801)

The Ruins of Leiston Abbey, Suffolk, 1796

Watercolour

310 x 265 mm. (12 x 10 ½ in.)

Paula Rösler (Schlierbach 1875 - Wurmsdorf 1941)

Yellow Toadflax, 1917

Gouache, watercolour and pencil on paper, with a drawn border in green watercolour.

39.4 x 29.4 cm. (15 ½ x 11 ⅝ in.)

Dante Gabriel Rossetti (1828 - 1882)

Elizabeth Siddal Having her Hair Combed, c. 1855

Brown ink on paper

153 x 115 mm. (6 x 4 ½ in.)

Thomas Rowlandson (1756 - 1827)

Clovelly, Devon, from the Pier, 1792

Pen and grey ink and watercolour over traces of pencil

392 x 553 mm. (15 ¼ x 21 ¾ in.)

Thomas Rowlandson (1756-1827)

The Ram's Head Inn, c. 1785

Pen and grey ink and watercolour over traces of pencil, with colour tests verso

230 x 291 mm. (9 x 11 ½ in.)

Thomas Rowlandson (1756 - 1827)

A volunteer infantryman, 1798

Pen and grey ink and wash over pencil

392 x 244 mm. (15 ⅜ x 9 ⅝ in.)

Thomas Rowlandson (1756 - 1827)

Comforts of Bath: The Assembly Ball, 1798

Pen and grey ink and watercolour over traces of pencil

127 x 217 mm. (5 x 8 ¼ in.)

Thomas Rowlandson (London 1756 - 1827)

Lord Thurlow, the Lord Chancellor, Twitching a Startled Horse, Late 1780s

Watercolour over pen and ink

200 x 280 mm. (7 ⅞ x 11 in.)

John Ruskin (1819 - 1900)

The Matterhorn from the north-east, Switzerland, 1849

Watercolour over pencil

242 x 337 mm. (9 ½ x 13 ¼ in.)

John Ruskin (1819 - 1900)

Spanish Chestnut at Carrara, Italy, 1856-1857

Pen and black ink over traces of pencil

101 x 123 mm. (4 x 4 ¾ in.)

John Russell, R.A. (1745 - 1806)

Portrait of Philip Glover of Heacham and Sedgeford, Norfolk, c. 1800

Pastel and black chalk on blue laid paper

Approx. 267 x 211 mm. (10 ½ x 8 ¼ in.)

Paul Sandby, R.A. (1730-1809)

View of Woolwich with St Mary's Church, London, c. 1790

Pen and grey ink and watercolour over traces of pencil heightened with bodycolour on laid paper

455 x 610 mm. (17.91 x 24 in.)

Paul Sandby RA (Nottingham 1725 - London 1809)

The Strid on the River Wharfe, Yorkshire, 18th Century

Pencil, pen and grey ink and watercolour

295 x 483 mm. (11 ⅝ x 19 in.)

Thomas Sandby (1721 - 1798)

A view of St Martin's Court, c. 1765

Pen and ink and watercolour

178 x 187 mm. (7 x 7 ⅜ in.)

Joachim von Sandrart (Frankfurt am Main 1606 - Nürnberg 1688)

The Denial of Peter, c. 1635

Black and brown chalk

275 x 220 mm. (10.8 x 8.7 in.)

Karl Schmidt-Rottluff (Rottluff near Chemnitz 1884 - Berlin 1976)

Woman Bathing, 1913

Watercolour over black chalk

340 x 428 mm. (13.4 x 16.9 in.)

Julius Schnorr von Carolsfeld (Leipzig 1794 - Dresden 1872)

View Across the Moat Towards the Thomasschule and the Thomaskirche in Leipzig, 1817

Pen over pencil on paper

156 x 238 mm. (6.1 x 9.4 in.)

Jacob Van Schuppen (Fontainebleau 1670 - Vienna 1751)

A Female Nude, Full-length, Holding up a Globe, c. 1720

Black chalk, pastel on blue paper

46.8 x 28.1 cm. (18 ⅜ x 11 in.)

Adolf Senff (Halle 1785 - Ostrau 1863)

Studies of Narcissus, Pelargonium, Wallflower and Other Flowers, 1837

Oil on paper

272 x 397 mm. (10 ¾ x 15 ⅝ in.)

Gino Severini (Cortona 1883 - Paris 1966)

Flora, 1939

Tempera and indian ink on paper

60 x 48 cm. (23.6 x 18.9 in.)

Gino Severini (Cortona 1883 - Paris 1966)

Silvano, 1939

Tempera and indian ink on paper

600 x 480 mm. (23.6 x 18.8 in.)

James Seymour (London 1702 - 1752)

Study of Two Hares, 18th Century

Pen and ink

50 x 140 mm. (3 x 5 ½ in.)

Jess Shepherd (b.1984)

041220151708, Indian Bean Tree Leaf (Catalpa bignonioides), 37° 10' 31.3" N / 3° 41' 28.7" W, 2015

Watercolour, over a pencil underdrawing.

138 x 209 mm. (5 ⅜ x 8 ¼ in.) [sheet]

Francesco Simonini (Parma 1686 - Venice or Florence c. 1755)

A Troop of Cavalry during a Battle

Chalk, pen and brown ink and wash

29.3 x 52 cm. (11 ½ x 20 ½ in.)

Mario Sironi (Sassari 1885 - Milan 1961)

Fighting Soldiers, 1935

Pencil and watercolour Indian ink

56 x 54 cm. (22 x 21.2 in.)

Simeon Solomon (London 1840 - London 1905)

Shadrach, Meshach and Abednego in the Fiery Furnace, October 1863

Watercolour on paper

330 x 228 mm. (13 x 9 in.)

Adriano Sousa Lopes (Leiria 1879 - Lisbon 1944)

A Pesca, 1934

Charcoal study on paper

1600 x 1460 mm. (6.29 x 5.74 in.)

Stanley Spencer (Cookham/Berkshire 1891 - Cliveden/Buckinghamshire 1959)

The Betrayal, 1922/23

Graphite, green wash

200 x 220 mm. (7.9 x 8.7 in.)

Stanley Spencer (Cookham/Berkshire 1891 - Cliveden/Buckinghamshire 1959)

Christ at Emmaus, c. 1910

Graphite, brown wash

148 x 185 mm. (5.8 x 7.3 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

House of Commons, 27th July 1945, 1945

Ink on paper

280 x 380 mm. (11 x 15 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

The Fur Collar, c. 1930s

Pencil on paper

250 x 200 mm. (10 x 8 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Radio Orchestra, c. 1930s

Mixed media on paper

250 x 330 mm. (10 x 13 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

The Young Artist, c. 1930s

Pastel on paper

230 x 250 mm. (9 x 10 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Circus Elephants, c. 1930s

Pencil on paper

200 x 280 mm. (8 x 11 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

The Perennial Bachelor, c. 1930s

Watercolour on paper

180 x 130 mm. (7 x 5 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Bathing Hut, 1927, 1927

Watercolour on paper

250 x 360 mm. (10 x 14 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Admiral of the Fleet, c. 1930s

Ink on paper

250 x 200 mm. (10 x 8 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Bertram Mill's Circus, c. 1940s

Ink on paper

280 x 360 mm. (11 x 14 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Centre of Attention, c. 1930s

Watercolour on paper

280 x 410 mm. (11 x 16 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Figure Drawing Demonstration, c. 1930s

Pencil on paper

300 x 360 mm. (12 x 14 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Frank Brangwyn's Studio, c. 1930s

Pencil on paper

250 x 330 mm. (10 x 13 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Interval, c. 1930s

Mixed media on paper

280 x 380 mm. (11 x 15 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Kemmes Acrobats, c. 1940s

Pencil on paper

200 x 250 mm. (8 x 10 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Model in Evening Dress, c. 1930s

Pencil on paper

250 x 150 mm. (10 x 6 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Mother and Child, c. 1930s

Pencil on paper

330 x 250 mm. (13 x 10 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Mural Cartoon - Frank Brangwyn's Studio, Hammersmith, c. 1930s

Pencil on paper

250 x 330 mm. (10 x 13 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Ouch!, c. 1930s

Pencil on paper

200 x 130 mm. (8 x 5 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Young Dancer, c. 1930s

Pencil on paper

330 x 250 mm. (13 x 10 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Stepping Out, c. 1930s

Pencil on paper

300 x 200 mm. (12 x 8 in.)

Steven Spurrier RA RBA ROI (London 1878 - 1961)

Sailing at Brixham, 1919, 1919

Watercolour on paper

200 x 280 mm. (8 x 11 in.)

Edmund Steppes (Burghausen 1873 - Deggendorf 1968)

Sheet of Studies of Flowers, 1915

Pen and grey-black ink on buff paper; a page from a sketchbook.

282 x 196 mm. (11 ⅛ x 7 ¾ in.)

Chinese Artist of the Straits School

Rambutan, c. 1825

Watercolour and bodycolour over traces of pencil with gum arabic, on laid paper watermarked: RUSE & TURNERS/1825 and with the Strasburg Lily

382 x 487 mm. (15 x 19 in.)

Chinese Artist of the Straits School

Buah Nam or Cynometra cauliflora, c. 1825

Watercolour and bodycolour over traces of pencil with gum arabic, on laid paper watermarked: RUSE & TURNERS/1825 and with the Strasburg Lily

375 x 485 mm. (14 ¾ x 19 ¼ in.)

Margaret Lilias 'Maggie' Sumner (1859 - 1919)

A sketchbook of pencil drawings of the Lake District, 1875

Pencil with pen and black ink around border

108 x 138 mm. and smaller (4 ⅜ x 5 ½ in.)

Joaquim Sunyer (Sitges 1874 - Sitges 1956)

Paris Cabarete Scene, 1904

Pastel

620 x 470 mm. (24.4 x 18.5 in.)

Graham Sutherland (London 1903 - London 1980)

Untitled, c. 1950

Watercolor and gouache over graphite

173 x 233 mm (6.8 x 9.2 in.)

Giovanni Battista Tiepolo (Venice 1696 - Madrid 1770)

The Head of a Lion, c.1749-1750

Black chalk, heightened with touches of white chalk, on faded blue paper.

246 x 282 mm. (9 ¾ x 11 ⅛ in.)

Giovanni Domenico Tiepolo (Venice 1727 - 1804)

A Stag by a Riverbank, c. 1770s - 1790s

Pen and brown ink and brown wash, over traces of an underdrawing in black chalk, with framing lines in brown ink.

184 x 252 mm. (7 ¼ x 9 ⅞ in.)

Giovanni Domenico Tiepolo (Venice 1727 - 1804)

Punchinello learning to walk

Black chalk, pen and brown ink, brown wash, watermark crescent

345 x 466 mm. (13 ⅝ x 18 ⅜ in.)

Domenico Tintoretto (Venice 1560 - Venice 1635)

Apparitio Sancti Marci The Retrieval of the Remains of Saint Mark Study for a composition in the 'Scuola Grande di San Marco', Venice, c. 1590

Brush in dark brown, grey and white, on brown prepared paper

22.3 x 30.5 cm. (8.8 x 12 in.)

Jan Toorop (Purworejo, 1858 - The Hague, 1928)

The Dream of the Seven Hills (De Droom der Zeven Heuvelen), c. 1914

Pencil, Black Chalk and Wax Crayon On Paper

147 x 248 mm. (5 ¾ x 9 ¾ in.)

Jan Toorop (Purworejo, Indonesia 1858 - The Hague, The Netherlands 1928)

Portrait of Dr. Claes Noorduijn, 1911

Pencil, charcoal and white heightening on buff paper

539 x 426 mm. (21 ¼ x 16 ¾ in.)

Jan Toorop (Purworejo, 1858 - The Hague 1928)

The Worship of the Crucified Jesus, 1920

Black and White Chalk On Board

750 x 600 mm. (29 ½ x 23 ⅝ in.)

William Turner of Oxford (Black Bouton 1789 - Oxford 1862)

Loch Coruisk, Isle of Skye, 1838

Watercolour and bodycolour

330 x 577 mm. (13 x 22 ¾ in.)

William Turner of Oxford (Black Bouton 1789 - Oxford 1862)

Dawn, Loch Torridon, c. 1838

Watercolour and body colour

445 x 934 mm. (17 ½ x 36 ¾ in.)

William Turner of Oxford (Black Bourton 1789 - Oxford 1862)

Loch Carron, Ross-shire, 1853

Watercolour with bodycolour

543 x 1013 mm. (21 ⅜ x 39 ⅞ in.)

Joseph Mallord William Turner (1775 - 1851)

Burg Eltz from the South, c. 1841

Watercolour, pencil and pen and red ink with some scratching-out on paper with a grey wash

159 x 232 mm. (6 ¼ x 9 ⅛ in.)

Valadier Workshop

Executive Design for the Centrepiece with Indications About the Materials to Use, Rome, end 19th century

Pencil, brown ink and black chalk

700 x 1110 mm. (27 ½ x 43 ⅔ in.)

Luigi Valadier (Rome 1726 - 1785)

Cooler from the Borghese Dinner Service, c.1784

Pen and grey ink

58.1 x 44.1 cm. (22 x 17 ⅜ in.)

Antoon van Welie (Afferden 1866 - The Hague 1956)

Portrait of Agnes Aronstein-Lewin, 1898

Pastel on paper

600 x 495 mm. (23 ⅝ x 19 ½ in.)

John Varley OWS (London 1778 - 1842)

Figures by a Gate House, c. 1820

Watercolour on laid paper

279 x 482 mm. (11 x 19 in.)

Pierre-Jacques Volaire (Toulon 1729 - Naples 1802)

View of a harbour with fishermen hauling up nets, and a watchtower on a promontory

Black chalk, brush and grey wash watermark Strasburg lily over beehive [for J. Honig], the lower right corner-tip made up

257 x 515 mm. (10 ⅛ x 20 ¼ in.)

Hendrik Voogd (Amsterdam 1767 - Rome 1839)

Buffalo in the Roman Campagna, Monte Cavo beyond

Black chalk on paper

21.5 x 29.5 cm. (8 ⅜ x 11 ⅝ in.)

Edouard Vuillard (1868 -1940)

Lucie Hessel à La Montagne avec Annette et Jacques, 1903

Pastel and pencil on paper

190 x 130 cm. (7 ⅜ x 5 in.)

Edouard Vuillard (1868 - 1940)

Suzanne Desprès, c. 1908

Oil on paperboard

571 x 464 mm. (22 ½ x 18 ¼ in.)

James Ward R.A. (London 1769 - 1859)

Harlech Castle, Wales, 18th Century

Watercolour over traces of pencil

107 x 197 mm. (4 ¼ x 7 ¾ in.)

James Ward, R.A. (London 1769 - Chestnut 1859)

Mrs Arbuthnot's cow Maria, 1822

Pencil

255 x 356 mm. (10 x 14 in.)

John Webber RA (London 1752 - 1793)

View of Bala, North Wales, 1791

Watercolour over pencil

125 x 470 mm. (12 13/16 x 18 ½ in.)

Antoon van Welie (Afferden 1866 - The Hague 1956)

Echo, 1908

Charcoal, black chalk and gouache on paper

735 x 505 mm. (29 x 19 ⅞ in.)

Carl-Friedrich-Heinrich Werner (Weimar 1808 - Leipzig 1894)

Carnival in Rome, 1844

Watercolour heightened with white gouache

355 x 310 mm. (14 x 12 ¼ in.)

Richard Wilson (1713/14 - 1782)

Monte Della Giustitzia, Villa Montalto - Negroni, Rome, c. 1752

Black and white chalk on blue-grey paper

222 x 194 mm. (8 ¾ x 7 ⅝ in.)

Augusta Innes Withers (Great Britain 1792 - 1877)

A white hen with her chicks

Watercolour with gum arabic on vellum

120 x 239 mm. (4 ¾ x 9 ⅜ in.)

Wols (Alfred Otto Wolfgang Schulze) (Berlin 1913 - Paris 1951)

Corolle de champignons volants, c. 1938/1939

Watercolour, pen and black ink, heightened with white

313 x 240 mm. (12.3 x 9.4 in.)

Thomas Worlidge (1700 - 1766)

Portrait of a Family Drinking Tea, 1737

Pencil on vellum with a drawn border

308 x 378 mm. (12 x 14 ¾ in.)

William Wyld (1806 - 1889)

Figures on a Beach, North Wales, 1832

Watercolour over traces of pencil heightened with bodycolour, gum arabic, scratching out and stopping out

503 x 738 mm. (19 ¾ x 29 in.)

William Wyld (London 1806 - Paris 1889)

View of the Ruins of Château de Saint Cloud: the Salon of Mars, Leading to the Gallery of Apollo, 1870s/80s

Watercolour over pencil on paper

350 x 266 mm. (13 ¾ x 10 ½ in.)

John Butler Yeats (Ireland 1839 - Manhattan, New York 1922)

Mrs Paget knitting, c. 1890

Pencil on laid paper, recto, with a portrait of a gentleman verso

180 x 127 mm. (7 x 5 in.)

Francesco Zerilli (Palermo 1793 - Palermo 1837)

Messina, 1827

Gouache

185 x 273 mm. (7 ¼ x 10 ¾ in.)

Alberto Ziveri (Rome 1908 - 1990)

Minerva, c. 1940

Pencil, charcoal and pastel on paper

3770 x 2000 mm. (148.4 x 78.7 in.)

Aloys Zötl (Freistadt 1803 - Eferding 1887)

Two Amazonian Horned Frogs (Ceratophrys cornuta), 1884

Watercolour

32.7 x 42.5 cm. (12 ⅞ x 16 ¾ in.) [image], 41 x 50.8 mm. (16 ⅛ x 20 in.) [sheet]